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Two handled Greek wine cup with two faces, one of a Black African man and one of a Greek woman

Blog: “What is it like to be the only Black person in your department?”

Javal Coleman |
A row of six people, all but one dressed in varied togas. Two of the men raise their right hands in an oratorical gesture. Above each person is the name of a character in the Phormio.

Blog: Paternalism and the “Good Slave” in the Speech for Phormion and the Legacies of Slavery

Javal Coleman |
A beige terracotta vessel shaped like a long tear drop. A dark-skinned figure faces left wearing striped pants and a draped mantle holds an ax and an arrow.

Blog: Call It What It Is: Racism and Ancient Enslavement

Javal Coleman |
Corinthian black-figure terra-cotta votive tablet of slaves working in a mine. One figure is passing a bowl to another, one is carrying a basket, and one is wielding a tool.

Blog: A Black Odyssey: Coming from Slaves and Studying Slavery

Javal Coleman |

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio |

Blog: Women in Classics: Barbara Gold

Claire Catenaccio |

Blog: Women in Classics: An Interview with Dee Clayman

Claire Catenaccio |

Blog: Women in Classics: A Conversation with Judith Hallett

Claire Catenaccio |

Blog: Women in Classics: A Conversation with Shelley Haley: Part II

Claire Catenaccio |

Blog: Women in Classics: A Conversation with SCS President-Elect Shelley Haley: Part I

Claire Catenaccio |

Blog: Women in Classics: A Conversation with Sarah B. Pomeroy

Claire Catenaccio |

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio |
Ferris Bueller’s Day Off © Paramount Pictures Corp. All Rights Reserved.

Amphora: Cult Classic: Ferris Bueller’s Day Off, Euripides’ Bacchae, and Echoes of Dionysus in Chicago

Wells Hansen, Angeline Chiu |
Prof Macurdy working in special collections area ca. 1940 photograph

Amphora: Two Pioneering Feminist Classicists: Grace Harriet Macurdy and Barbara F. McManus

Wells Hansen, JudithPHallett |
Text that says AMPHORA

Amphora: American Furies: Justice in Cormac McCarthy’s No Country for Old Men And the Oresteia Trilogy

Wells Hansen, Karen Rosenbecker |
A landscape of a mountainside with text reading AMPHORA

The Bumpy Path to Classics

Wells Hansen, erich |
Text that says AMPHORA

Changing the Guard at Amphora

Wells Hansen, Ellen Bauerle |
A white book cover with red text and a sketched face of a man with curly hair

The Return of a Catullan Treasure: Sesar’s Catullus Translation Available Again

Wells Hansen, roancona |

Amphora: Editing for Good

Wells Hansen |

The Stakes are High: Tragedy and Transformation within Prison Walls, by Elizabeth Bobrick

Wells Hansen, Elizabeth Bobrick |