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A collection of small statues of ancient women in various poses

Blog: (Re)habilitating Old Woman A, or: Reading female bad language in Aristophanes’ Assemblywomen as a 40-something woman

Amy Coker |

Blog: Thesis Spotlight: Furor and Elegiac Conventions in Vergil’s Depiction of Female Characters in the Aeneid

Lindsay Herndon |

Blog: Come and Take It: The End of Eidolon

Sarah Bond |

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio |

Blog: How to Kill a Canon: Sourcebooks that Address the Silence

Sarah Bond |

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio |

Blog: Inscribed Memory, the Holocaust, and the Jewish Population of Rome

Sarah Bond |

Blog: Addressing the Divide Between Biblical Studies and Classics

Sarah Bond |

Blog: Pygmalion, Polychromy, and Inclusiveness in Classics

Aimee Hinds |

Blog: Global Feminism and the Classics at the SCS Sesquicentennial

Andrea Gatzke |

Blog: Digitally Mapping Cicero's Networks, Letters, and Emotions

Caitlin Marley |

Blog: What a Difference an ἤ Makes: Hippocrates, Racism, and the Translation of Greco-Roman Thought

Lisl Walsh |

Blog: Anno Domini: Computational Analysis, Antisemitism, and the Early Christian Debate Over Easter

Sarah Bond |
A landscape of a mountainside with text reading AMPHORA

The Bumpy Path to Classics

Wells Hansen, erich |
Text that says AMPHORA

Changing the Guard at Amphora

Wells Hansen, Ellen Bauerle |

Amphora: How to Use the Exhibit Hall at the Annual Meeting

Ellen Bauerle |

Amphora: Flipping a Coin—Building a Numismatic Database with Undergraduate Researchers

Julie Langford |

Amphora: Labors and Lesson Plans—Educating Young Hercules in Two 1990s Children’s Television Programs

Angeline Chiu |

Amphora: A New Incarnation of Latin in China

Yongyi Li |

Amphora: Editing for Good

Wells Hansen |