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Blog: Thesis Spotlight: Furor and Elegiac Conventions in Vergil’s Depiction of Female Characters in the Aeneid

Lindsay Herndon |
People sit around a table playing a board game. Two women on the left reach their arms across the board. One is pointing with her index finger.

Blog: Immersivity and (Other) “Fantasies of Antiquity”

Benjamin Stevens |
An engraving showing a muscly man in a helmet carrying an elderly, also muscly man in his arms. A woman with long hair and a small child are also in motion. The figures are moving over fallen statues and weapons inside a large building next to a staircase

Blog: Whose Aeneid? Imperialism, Fascism, and the Politics of Reception

SamAgbamu |

Blog: How Might We Gamify Ancient Greek?

Joshua Hartman |

Review: Recogito: Visualizing, Mapping, and Annotating Ancient Texts

Kilian Mallon |

Review: ORBIS: The Stanford Geospatial Network Model of the Roman World

Chiara Palladino |

Blog: New School Year, New School You: Playful Pedagogy in Intro Language Courses

Amy Lather |
Apadana Hall, 5th century BC carving of Persian and Median soldiers in traditional costume. CC BY-SA 3.0.

Blog: Addressing the Divide Between Ancient Near Eastern Studies and Classics

Catherine Bonesho |

Review: Roman Inscriptions of Britain

Rebecca Benefiel |
Aeneas Departs from Carthage (Aeneid, Book IV)

Review: Latin Scansion App

Patrick Hogan |
Map of Ancient Rome Illustrating Major Monuments and the Seven Hills

Review: Digital Augustan Rome

Scott Arcenas |

Review: The Atlas Project of Roman Aqueducts (ROMAQ)

Jacqueline DiBiasie Sammons |

Review: Pompeii Bibliography and Mapping Project

Gabriel Moss |