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A collection of small statues of ancient women in various poses

Blog: (Re)habilitating Old Woman A, or: Reading female bad language in Aristophanes’ Assemblywomen as a 40-something woman

Amy Coker |
A row of six people, all but one dressed in varied togas. Two of the men raise their right hands in an oratorical gesture. Above each person is the name of a character in the Phormio.

Blog: Paternalism and the “Good Slave” in the Speech for Phormion and the Legacies of Slavery

Javal Coleman |
Oil painting of a white man sitting in a large chair facing left with a dissatisfied expression. He wears a white toga with red drapery over his left arm, a crown, a gold cuff bracelet, and short curly hair. A tiger sits between his legs.

Blog: Dissertation Spotlight: Humor in the Historical Works of Tacitus

Emma Warhover |
A white circle on a black background with green leaves and white flowers. Around the circle is a yellow vine border, and in the middle there is a palm tree. On the left side of the tree, an abstract figure in drapery stands, and on the right side, a simil

Blog: Dissertation spotlight: A Tale of Four Cities: Exploring Classical Reception in Modern Hebrew

Giacomo Loi |
A bronze bust of a man with short, wavy hair and a slightly pained expression on his face.

Blog: Dissertation Spotlight: The Shape of an Empire: Environments, Economies, and the Nature of the Seleucid State

dmklokow |
14th century illustrated manuscript of Omne Bonum (by James le Palmer – British Library MS Royal 6 E. VI, fol. 301ra); it shows a bishop instructing clerics with leprosy.

Blog: “Disease Discourse” as a Phenomenon: Classical, and Christian, and Contemporary

Carson Bay |

Blog: Come and Take It: The End of Eidolon

Sarah Bond |

Blog: In Memoriam: Remembering Vergil Scholar William Robert Nethercut

Jason Nethercut |

Blog: Women in Classics: Froma Zeitlin

Claire Catenaccio |

Blog: How Do We Record the History of Women in Classics?

Claire Catenaccio |

Blog: Inscribed Memory, the Holocaust, and the Jewish Population of Rome

Sarah Bond |

Blog: Will Reading Fiction Make You a Better Ancient Historian?

Carlos Noreña |

Blog: What Does Productivity Even Mean to an Ancient Historian?

Lindsey Mazurek |
Apadana Hall, 5th century BC carving of Persian and Median soldiers in traditional costume. CC BY-SA 3.0.

Blog: Addressing the Divide Between Ancient Near Eastern Studies and Classics

Catherine Bonesho |

Blog: Pygmalion, Polychromy, and Inclusiveness in Classics

Aimee Hinds |
A white marble sculpture of a hand hold a long cylinder

Blog: A Guide to Pitching Your Book at a Conference

Erin Averett, Sarah Bond, Derek Counts, Bethany Wasik |

Blog: Global Feminism and the Classics at the SCS Sesquicentennial

Andrea Gatzke |

Blog: Ale Caesar! Classical Reception and the Art of the Beer Label

Sarah Bond |

Blog: What a Difference an ἤ Makes: Hippocrates, Racism, and the Translation of Greco-Roman Thought

Lisl Walsh |
Roman Triumphal arch panel copy from Beth Hatefutsoth, showing spoils of Jerusalem temple. Image via Wikimedia under a CC BY-SA 3.0 License.

Blog: Roman Festivals in Rabbinic Literature and the intersection of Judaism and Rome

Catherine Bonesho |